![]() My interest in the dissemination of music led me to found the publishing company and record label Tritó Edicions in 1991, of which I am the director and which boasts several national music awards. Having worked as a musician in several orchestras in the Netherlands and Spain, in 1990 I decided to focus my career on arts management and production, with my main goal being the creation of music projects that would not be excluded from the echelons of excellence and that would be structured in such a way that they could be competitive in the international market. These instruments, of unsurpassed quality, are currently played by some of the most highly regarded musicians in Spain. As a result of years of research and the economic support of a sympathetic group of investors, I have built up the Tarapiella-Pamies collection, which is considered one of the most important collections of eighteenth-century Spanish stringed instruments in the world. In 2004, I finally decided to establish my own business, Lutheria Tarapiella S.L., based in the wonderful location of San Lorenzo de El Escorial, near Madrid, and focusing mainly on the repair, restoration and buying and selling of old string instruments. I have written short articles on Spanish instruments for The Strad and Tarisio.įrom the very beginning, one of my great ambitions has been to restore and preserve the national musical heritage of my country. Since then I have gained a broad range of experience and absorbed many influences, in particular through the close collaboration with my very good friend, the luthier Pablo Rosales Gross. After completing three years of studies and wishing to concentrate more on instruments in the violin family, I became an apprentice at the workshop of Colin G Nicholls in London. As a member of the Cadaques Orchestra and several chamber groups, I have made numerous recordings and concerts all over the world.įascinated since childhood by the beauty of stringed instruments, in 1999 I began my training in traditional Spanish guitar making in Madrid with Antonio Gonzalez Cardenal. The Spanish Guitar as we now know it nowedays is still based on the guitar Torres build.Born into a family of professional musicians, my contacts with the violin world began with my studies as a professional cellist in Madrid, Amsterdam and London. Ultimately it was the Spaniard Antonio de Torres (around 1860) who adjusted the body, whereby the volume of the guitar considerably increased. The only difference with the guitars build today, is the smaller body. Lacote was one of the better known six-string guitar builders (around 1825).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |